Postcolonial Discourse in Egyptian Cinema: A Comparative Study of Mismar Goha (1952) and Ramadan on the Volcano

Prof. Dr. Yassin Ibrahim Bashir Ali

doi:10.70170/asbhlp413034

Postcolonial Discourse in Egyptian Cinema: A Comparative Study of Mismar Goha (1952) and Ramadan on the Volcano

Published December 30, 2025 Vol. 3, No. 3 (2025) pp. 1–40 Field: English Literature Language: EN DOI: 10.70170/asbhlp413034

Abstract

This study examines postcolonial discourse in Egyptian cinema through a comparative analysis of Mismar Goha (1952) and Ramadan on the Volcano. The research applies postcolonial theory to analyze how these films represent national identity, resistance, and cultural memory in the context of Egyptian decolonization.

Keywords

Egyptian cinema postcolonial theory Mismar Goha film analysis cultural identity decolonization

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Prof. Dr. Yassin Ibrahim Bashir Ali (2025). Postcolonial Discourse in Egyptian Cinema: A Comparative Study of Mismar Goha (1952) and Ramadan on the Volcano. Stardom Scientific Journal of Humanities and Social Studies. 3(3), pp. 1–40. https://doi.org/10.70170/asbhlp413034

Stardom Scientific Journal of Humanities and Social Studies

Postcolonial Discourse in Egyptian Cinema: A Comparative Study of Mismar Goha (1952) and Ramadan on the Volcano

Abstract

Keywords

How to cite

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